Point of View: Professionalization of Culture
A while back, the Kunstmuseum Thurgau (Art Museum of Thurgovia) in Switzerland had a symposium on “Professionalisierung der Kultur — Fluch oder Segen” (“Professionalization of Culture — Curse or Blessing”). The art world certainly does love its symposiums nowadays. They asked me to make a statement to be used on an invitation and poster and some other materials. I made a VERY short one, which, nonetheless, I think and hope you will find interesting.

Bookmark on del.icio.usBoth a curse and a blessing, the professionalization of culture, especially art, is a double-edged sword. And one we all appear to be grasping by the blade. The benefit professionalism offers is a hoped for decrease of the immense quantities of thoughtless, artsy-fartsy, wanna-be-art now in existence, while potentially engendering an increase in profundity and intellectuality in the arts. The detriment can be a swollen, career-obsessed sophistry on the part of artists, curators and art “mediators,” mindlessly substituted notions of momentary job success for actual content, aspiration and accomplishment.

Yes, I hate how esoteric art can get from a theoretical standpoint. I am glad my hands are still grounded in the medium…it keeps my head out of the “amorphous cloud” crowd who are afraid to pick up a brush let alone make an object…
You’re right Sarah — I’m quite happy to be an “intellectual” artist, but what the “amorphous cloud crowd” (great phrase) tend to make of art is highly detrimental, to say the least. I like your portrait of your father “Godd Houskeeping” paintings, by the way.